In 1690, when Infortunios de Alonso Ramirez, penned by Carlos de Siguenza y Gongora (1645-1700), was published in Mexico, Spain already seemed to be slipping irrevocably into decadence. At the same time, history marked the epochal hearkening of the leading Puerto Rican character-narrator whose name appears on the title, and of the well-known Mexican writer, mathematician, philosopher, and historian. Both were exemplary subjects of a new hybrid race and creole culture straddling the effects that the conquest and colonization of the New World left across the American continent. To date, scholars have not agreed on its genre and continue to debate whether it is a work of fiction, a historical document, or a first-hand narrative account. In the introduction, Prof. Saad Maura sets forth ideas that touch on the politics, religion, historicity, and aesthetic considerations stemming from the story. The events in the high-seas between the Catholic Ramirez and the protestant pirates (mostly English) invite a reevaluation of the subtle line distinguishing not only truth and falsehood, but also half-truths or pure, creative.
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